Charlotte Salomon: “Life? Or Theater?”
:focal(1299x1002:1300x1003)/https://tf-cmsv2-smithsonianmag-media.s3.amazonaws.com/filer/e3/76/e376af81-c7a3-4a04-9f99-7eefe194f3e9/charlotte_salomon_-_jhm_4762_-kristallnacht_1.jpg "The Genre-Bending, Death-Defying Triumph of Charlotte Salomon's Art | Smart News | Smithsonian Magazine")
The Genre-Bending, Death-Defying Triumph of Charlotte Salomon's Art | Smart News | Smithsonian Magazine
Lenbachhaus - Charlotte Salomon
Lenbachhaus - Charlotte Salomon
This young woman created 784 paintings while hiding from the Nazis
Charlotte Salomon: WWII Jew's life story in paint
Annual program 2023 - Announcements - e-flux
The CJM
Charlotte Salomon's Triumphant “No” - Public Books
Jewish Museum Berlin - Charlotte Salomon. Life? or Theatre?: The afterword
She Put Everything Into Art': The Curator of a New Charlotte Salomon Exhibition on How the WWII-Era Artist Painted Through Her Pain
Travelling exhibitions - Jewish Cultural Quarter
Life or Theater? Charlotte Salomon (Berlin 1917 - Auschwitz 1943) | Monestir de Pedralbes
Charlotte Salomon | Museum of Fine Arts Boston
The German-Jewish Artist Charlotte Salomon
The First English Edition of this Book Visualises Life Under Nazi Occupation
Art review: Life? or Theatre? by Charlotte Salomon
A Private Memoir, Pried Open
BBC - Defying the Nazis: The Jewish masterwork painted in hiding
Charlotte Salomon: Life? or Theatre?' at The Jewish Museum, London - Contemporary Art Society
Jewish Museum Berlin - Charlotte Salomon. Life? or Theatre?
Charlotte Salomon at Museum der Moderne Rupertinum – ARTnews.com
Holocaust Museum Houston
Charlotte Salomon: Life? or Theatre? | Art Gallery of Ontario
Lenbachhaus - Charlotte Salomon
Israel Book Review : Charlotte Salomon: Life? or Theatre? an exhibition at the Jewish Historical Museum, Amsterdam, October 20, 2017–March 25, 2018 Life? or Theatre? by Charlotte Salomon Overlook Duckworth, 815 pp.,
Charlotte Salomon (1917-1943): A Life Before AuschwitzLecture by Monica Bohm-Duchen, London (UK) - Fritz Ascher Society
The Obsessive Art and Great Confession of Charlotte Salomon | The New Yorker
